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Kathakali - Wikipedia, the free encyclopedia
Kathakali is a form of Indian dance-drama. It originated in the Indian state of Kerala during the 17th century.
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Indian Classical Dances - Mohiniyattam
This classical dance form of Kerala was first performed by women in temples, over a thousand years ago, as an offering to God, their beloved. The movements may appear simple, but effort is required to capture the grace, suggestive of ocean waves, as seen in goddess Mohini, the Enchantress. This dance form exudes enchantment grace and passion. Mohiniyattam is a fusion of ' Bharathanatyam ' and ' Kathakali ', as it combines the graceful elegance of Bharatanatyam and dynamism and vigour of Kathakali. The performances are done only by women. In Mohiniyattam, the Lasya element of dancing is predominant, and the mood created is Sringaram (erotic) Mohiniyattam literally means the 'Dance of the Temptress'.
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Yakshagana
One of the theatre forms generally described as folk but possessing a strong classical connection is the Yakshagana. It is a typical folk form of drama in this region, just as Kathakali is in neighbouring Kerala. Unlike the stylised costumes and masks of Kathakali, Yakshagana is a true people's theatre, commonly staged in the paddy fields at night and the themes are the same as all over India, the Ramayana, the Mahabharata and mythological tales from the Puranas.
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Malayalam Kambi Kathakal: Hot & New Malayalam Kambi Kathakal Downloads
Kathakali - Malayalam classical dance
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Indian Dances
Indian Dances - A glimpse into the different forms of Indian Dances.
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Mohiniyattam - Classical Dance form of Kerala
Mohiniyattam is the classical dance form of Kerala which portrays feminine love.
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Odissi
Odissi (or Orissi) is the traditional style of dance that originated in the state of Orissa in Eastern India, where it was performed by the maharis (temple dancers). It is one of the oldest surviving forms of dance, with evidence dating back to 2200 BC to be found in the caves of Khandagiri and Udayagiri in Orissa. Today, there are three distinct styles of Odissi, including the Gotipua style of Guru Deba Prasad Das, the Mahari style of Guru Pankaj Charan Das, and the repertoire of Odissi as formulated under the aegis of Jayantika in 1957, which is the style of Guru Kelucharan Mohapatra.
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